1) psychology of architecture aesthetic judgement
建筑审美心理
2) architectural aesthetics
建筑审美
1.
Potential influence of the utility psychology factors in the architectural aesthetics;
建筑审美中功利心理因素的潜在影响
2.
Through the analysis on the characteristics of architectural art and the speciality of architectural aesthetics, and based on the physiological and psychological foundation produced from aesthetic psychology and visual aesthetic feeling, this paper points out that the architectural aesthetics possesses visual features.
通过对建筑艺术特征和建筑审美特殊性的分析,对人的审美心理及视觉美感产生的生理、心理基础进行剖析,指出建筑审美具有视觉性特征。
3.
As a special type of Chinese art,couplets were widely used in shu-yuan(ancient Chinese college)architecture,which represented Chinese culture,pedagogy,artistic sentiment and architectural aesthetics.
文章从楹联的角度出发,探讨了中国古代书院的建筑审美取向。
3) Aesthetic view of architecture
建筑审美观
4) aesthetic psychology
审美心理
1.
Synaesthesia-Aesthetic Psychology of Su Shi s Poetic Life;
通感—苏轼诗意生活的审美心理
2.
Consideration of synergism of elements with human aesthetic psychology in design
关于设计中元素与人的审美心理相协同的思考
3.
Analyses of facility construction of agritourism demonstration zone based on aesthetic psychology
从审美心理角度解读农业旅游示范区旅游设施建设
5) aesthetic mentality
审美心理
1.
The relationship between architectural spatial art and human aesthetic mentality;
建筑空间艺术与人的审美心理的关系
2.
Starting with the native-color phrasing of his writings,this paper analyzes the native-color phrasing bent in the descriptions and dialogues of his writings,and reveals the features of his language and his aesthetic mentality.
在此从纳张元本色化的语言入手,分析纳张元作品中的本色化描述语和本色化对话语,进而分析纳张元作品的语言特色及审美心理。
3.
Advertising is a mass art,complying with the social conventions and customs and satisfying the mass aesthetic culture level and aesthetic mentality.
广告是一门大众化的艺术,它要遵循社会文化习惯和迎合大众的审美文化水平和审美心理。
6) aesthetical psychology
审美心理
1.
The problem of aesthetical psychology is handled from the aspects of the course and characteristics of aesthetical psychology.
审美心理过程主要有三个阶段 ,即审美期待、审美展开和审美弥散。
2.
Against the background of the Shanghai area culture, this paper systematically reveals the two traditions of shanghai styled film in the history, analyses its aesthetical characters such as pioneering spirit,pragmatism and secularity, and delves into the inner reasons for the change of aesthetical psychology of Shanghai audience as time goes on.
本文从上海地域文化背景着眼 ,较系统地阐析了海派电影诞生伊始便形成的“影戏”、“传道”两个传统 ,开拓性、务实性、随俗性等美学特征 ,以及上海观众审美心理随时代发展而嬗变的内在动因。
补充资料:管理审美心理中介
管理审美心理中介
aesthetic psychological medium of management
个中介系列里面。 (林兆其撰国巫固审)管理审美心理中介(a es止e桩e psyehologiealmedium of management)学校管理的审美因素到师生员工美感渐成的过渡环节,包含审美感觉、审美知觉和审美表象的和谐运动的系列。从美感效应生成的机制来看,管理者所提供的管理中的审美媒介能否作用于师生员工,要受他们审美的历史层次和心理层次所制约,美感效应就是在与这两个中介层次的交融中形成的。个体的审美心理能力是在人类总体审美实践的历史积淀的基础上,通过后天个人的审美活动实践获得、发展和逐步完善起来,并成为审美心理的深层结构。在某次具体的审美活动中,美感效应的形成是心理组织作用的结果。审美心理中介系列里蕴藏着审美主体的巨大能动性。借助于格式塔心理学派的“场”概念,皮亚杰的S一认T)一R公式,即一定刺激(S)被个体同化认)于认知结构(T)中,才能对刺激(S)作出反应(R),对管理美育中的美感反应过程提出如下公式::TS才AT之R。其中,S是管理中美的信息系统,作为刺激丛作用于师生员工大脑。A代表师生员工(受教者)的心理文化结构。T代表其心理组织功能,包括对刺激的顺应和同化功能。R代表美感效应渐成,即美育功效的生成。管理美育作为一种审美心理活动,其作用的发生及取得的效果,奥秘就隐藏在AT这
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