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1)  Goulanyao
勾蓝瑶
1.
Defended Planning Analysis of Jiangyong Lanxi Goulanyao Ancient Fortress;
兰溪勾蓝瑶古寨防御性规划探析
2)  Landian Yao
蓝靛瑶
1.
Dry land rice growing is the primary production activities of Landian Yaos high land shifting farming.
陆稻种植是蓝靛瑶的游耕山地农业的基本生产内容。
2.
The paper discusses the Yao peoples origin, population distribution, branches, and appellations in Vietnam, Laos, Thailand, and Burma, and points out, in the four countries, most Yao migrations and two braches called "Pan Yao" and "Landian Yao" came from China.
对越、老、泰、缅各国的人口分布、支系与称谓、来源和迁徙作了详细的讨论 ,迁徙海外的瑶族主要集中在这四个国家 ,且只有盘瑶和蓝靛瑶等 2个支系 ,他们都来源于中国。
3)  Hualan Yao
花蓝瑶
1.
The "Jumping King of Gan" Ceremony of the Hualan Yao and Its Music;
花蓝瑶“跳甘王”祭仪及其音乐
2.
Culture Change of the Hualan Yao s Dwellings and Building;
花蓝瑶民居建筑文化变迁
3.
A Research of Hualan Yao s Agricultural Laborforce Transferring under the Perspective of Historical Anthropology;
花蓝瑶农业劳动力转移的历史人类学研究
4)  Hualanyao
花蓝瑶
1.
The Influence of "Hualanyao Social Organization" on Fei Xiaotong s Academic Thinking;
《花蓝瑶社会组织》与费孝通学术思想
2.
On the Cultural Connotation of Hualanyao Costume;
花蓝瑶服饰文化内涵阐释
3.
The Vicissitudes of Hualanyao s Clothing Embroidery Culture;
花蓝瑶服饰刺绣文化的嬗变
5)  Lan Ding Yao women
蓝靛瑶妇女
1.
This article intends to investigate the traditional culture and the changes for Lan Ding Yao women living in Wenshan and discuss the problems relative to their development, traditional culture and modernizations.
通过对文山蓝靛瑶妇女传统文化及其变迁的调查 ,探讨蓝靛瑶妇女的发展及其传统文化与现代化相适应问题。
6)  The Uxorilocal Msrriage of the Hualan Yao s
花蓝瑶赘婚初探
补充资料:景泰蓝点蓝
景泰蓝点蓝  景泰蓝主要制作工序之一。掐好丝的胎体,经烧焊、酸洗、平活、正丝后。便进入点蓝工序。其法用蓝鎗(金属小铲子)把碾细了的釉色填入丝工空隙处,经过800度火烧。如此反复三次到四次才完成。解放前,景泰蓝点色呆板单调,解放后,运用渲染、罩染、烘染、衬染、剔染等等技法,扩大了景泰蓝点蓝艺术的表现力。为表现形态多变的云、水,雾,以及水中倒影,点蓝艺人们和掐丝艺人共同创造了无丝点晕技法。即掐出高矮不同的丝工,点晕以不同釉色,使这些釉色自然的连接,经烧结后高丝露出,矮丝含在釉下,增强了铜胎和釉色的密着力。使其图案纹样更为丰富多彩。
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