1) Oujiang Estuary
瓯江河口
1.
A primary research for sediment carrying capacity in Oujiang Estuary;
瓯江河口挟沙能力的初步探讨
2.
Turbidity maximum of the Changjiang Estuary is strong during the flood season and weak during the dry season, while in the Oujiang Estuary the reverse occurs.
长江河口与瓯江河口均发育了庞大的最大浑浊带（ＴＭ），但这两条河口的河流性质、几何形态、径潮流动力条件、盐淡水混合类型和泥沙来源等差异极为明显，长江口与瓯江口ＴＭ的变化特点是：前者洪盛枯衰；后者枯盛洪衰；所在部位，前者在口门附近，后者在口门之内。
3.
Oujiang Estuary was taken as an example in this paper to study the relationship between the ratio of the runoff and the tidal current and its dynamic balance characteristics,where a physical model of the estuary was constructed to simulate the current movement.
以瓯江河口为例,通过建立河口段物理模型进行了水流试验。
2) the Oujiang estuary
瓯江口
1.
Hydrographic and sediment analyses of the Oujiang estuary;
瓯江口水文泥沙特征分析
3) Oujiang estuary
瓯江口
1.
Model test of Oujiang estuary channel regulation;
瓯江口航道治理工程模型试验研究
2.
Study on the effect of sand-excavating from the Middle Shoal at Oujiang Estuary on the navigational channel of Wenzhou Port;
瓯江口中沙采沙对温州港航道的影响研究
3.
Application of Multi-elements′ Mathematical Model in the Study on Reclamation of Wenzhou Shoal at Oujiang Estuary;
多因素数学模型在温州瓯江口浅滩围涂工程研究中的应用
4) Oujiang River estuary
瓯江口
1.
Species composition and diversity of zooplankton in Oujiang River estuary in summer and autumn.
瓯江口夏、秋季浮游动物种类组成及其多样性
2.
Seasonal distribution of macrozoobenthos and its relations to environmental factors in Oujiang River estuary sea area
瓯江口海域大型底栖动物分布及其与环境的关系
3.
Exploration on the development and construction of Wenzhou district in Oujiang River Estuary
瓯江口温州区域开发建设的规划探索
5) South Branch of the Oujiang Estuary
瓯江南口
1.
The feasibility of schemes for stopping flow in South Branch of the Oujiang Estuary is demonstrated from the influencing point of view on environment.
建议瓯江南口从半堵起步,逐步完成南口的完全封堵。
6) Oujiang river estuary
瓯江口海域
1.
Preliminary investigation on the fishes of Oujiang river estuary;
瓯江口海域夏秋季鱼类初步调查
补充资料：瓯塑
瓯塑 是浙江温州的著名工艺美术，温州旧称“东瓯”，故名。原名“油泥塑”或“油泥彩塑”。是一种古色古香的彩色浮雕堆塑，具有浓郁的民间特色。据传，早在宋代就在浙南一带流传，当时只是单色或贴金镀银，主要应用于寺院的佛像、门神及家具、嫁妆和礼品等装饰，工艺较粗糙。解放后，创制各种彩色油泥，是用精白陶土、熟桐油和矿物颜料混合而成，干后表面结膜生泽，水浸不透，受燥不裂，轻便牢固，不易褪色。同时又吸取其他造型艺术长处，提高了瓯塑艺术水平。在堆塑技法上，以堆、塑、挑、刮、压等手法，按不同表现对象，采取深浮雕、浅浮雕、线刻等传统技巧，变化无穷，层次清晰，色泽明快，形象生动，立体感强。品种有挂屏、挂镜。壁塑等欣赏品，又有屏风、家具、瓶、盒等实用品。内容有风景、人物、花鸟等。瓯塑挂屏“韶山”，曾受到周总理赞扬。“西湖天下景”瓯塑，现陈列于首都人民人会堂浙江厅。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条