In addition,they take"vividness of spiritual flavor"as a vital aesthetic standard and believe that black ink is more capable of showing the beauty of artistic conception,therefore,the lyricism of colors cannot be fully exhibited.

Ink sprinkling figure paintings initiated by LIANG Kai in the Song Dynasty, characterized by meaningful ink image language, and quite different from paintings characterized by traditional line language.

The traditional chinese ink_painting embodies illusory vista through "dao","chan", "calligraphy",meantime,The poetic charm melted into "water and color"is much valued by the traditional watercolor painting.

It has been long customary to think that the term "wash painting" is equal to the term "Chinese Painting",this ambiguous and unscientific thinking has caused hot discussion among many scholars,and its researching and practicing directly relates to the development and innovation of modern Chinese painting.

The series of wash paintings "Men--Men" by Pu Guo chang create a new and strong wash painting technique modality, which synthesizes bright elements in his works and relies on the strong fleshy desire of human body.

The facial makeup in operas,water ink drawing,Dunhuang fresco and so on are the essence elements in Chinese traditional culture.

Its carrier is the water ink, the creative main body is scholar.

This paper gives a theoretical study in the possibility of Chinese painting toward comprehensive development from single pattern of ink-water based on the views of liberating painting thought,adopting a correct attitude towards tradition,absorbing excellent foreign culture and exploring painting materials and skil.

Construction vs. Ink-Water: On the Design of CRLand Phoenix Art Centre;

Preparation and property of modified polyacrylated binder material for oil-based ink jet ink;