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1)  age [英][eɪdʒ]  [美][edʒ]
年代
1.
Magnetostratigraphic Age of Pleistocene Loess/Paleosol Sections At Dali, Shaanxi, China;
陕西大荔遗址更新世黄土—古土壤剖面磁性地层学年代研究
2.
On the other hand,in the process of researching history how to ascertain the ages the buildings being completed is an important action.
目的为考证北京四合院的形成年代,研究历史建筑在某个时代留给人们的印记,反映当时的政治、文化、经济、技术。
3.
As an important part of historical geology,the age shows the history of lithosphere development and evolution of geological time,and dating plays an important role in it.
年代确定在地学中得到广泛应用。
2)  time [英][taɪm]  [美][taɪm]
年代
1.
Some scholars have speculated about the time of rice culture in the songs, and defined it to be before the Later Han Dynasty.
该文从中国稻作技术的发展和傣族历法的由来两个方面,考察了傣族古歌谣中的稻作年代问题,认为《古歌谣》中所反映的稻作可能是唐宋,特别是明代以后的情况,并在此基础上讨论了汉族和傣族稻作文化的关系。
2.
However,the time of census register and money casting bureau are the 2nd year and the time of salt industry is the 1st or 2nd year of Yuanfeng.
但其户口、铸钱监的年代均为元丰二年,盐产地的年代则为元丰元年或二年,和政区的年代不同,应是初成书时的原貌。
3.
The exact time of introducing Liang-Zhu Legend to the Bai-inhabited region is difficult to confirm due to the lack of the relevant data.
虽然缺乏翔实的资料记载,梁祝传说传入白族地区的准确年代难以判定,但是,综合考察梁祝传说在内地与白族地区的流播情况、文本内容以及白族地区和内地的联系等因素,本文认为,梁祝传说传入白族地区的时间最早可上溯至南宋末年,而传说在白族地区大规模的流行应该自明代开始。
3)  Date [英][deɪt]  [美][det]
年代
1.
An Issue on the Date of Fossil Human Remains from Salawusu, Inner Mongolia;
关于萨拉乌苏遗址地层及人类化石年代的问题
2.
According to the evidences provided by the sutra itself,it is proved that the date of the sutra s being written out was not later than A.
然后根据经文中提供的相关证据,用天文方法推算了该经的写作年代不晚于公元751年。
3.
The paper divides the wall paintings in Qiuci Grottoes into 8 categories, concludes the artistic style for every category and discusses the date of these wall paintings and relations between them.
本文把龟兹石窟壁画划分出八种类型,归纳出了每一类型的艺术风格特点,并对每一类型的年代及它们之间的关系进行了研究。
4)  chronology [英][krə'nɔlədʒi]  [美][krə'nɑlədʒɪ]
年代
1.
Discussion on the Cenozoic and Its chronology in the Weihe River basin;
对渭河盆地新生界及其年代的讨论
2.
On the Chronology of the Shang Cultural Remains at Daxinzhuang of Jinan;
关于济南大辛庄商代遗存年代的思考
3.
Based on the model of the theory of "canopy-heavens",the chronology of the observed data in Zhoubi Suanjing is determined as in 511BC by using astronomical calculation.
根据《周髀算经》中的盖天模型,用天文学方法对其实测数据进行了拟合,确定《周髀算经》的观测年代为公元前511年左右。
5)  year [英][jɪə(r)]  [美][jɪr]
年代
1.
The HMW - GS compositions of 106 winter wheat varieties cultured in Shandong province in different year were analyzed using SDS - PAGE method.
用SDS-PAGE法鉴别了山东省从50年代至今推广的106个小麦品种(系)的HMW-GS组成。
2.
Having traced back to all the relevant research in the last twenty years and focused on the ethnic origin,painting years and images of Cangyuan rock paintings,the author summarizes the research and achievements of this study and expects to reveal its future orientation.
以20多年来国内公开出版和发表的学术论著为线索,着重从沧源崖画的综合性研究、族属研究、年代研究、图像研究等方面,对学术界关于云南沧源崖画的研究作了综述,以期展示云南沧源崖画研究的成果和明确今后的研究方向。
3.
Xie Zhibin s judging norms about the earliest year and the process of argument and the conclusion of "not listen "as "not allow" are not properly explained in his book of "The Earliest Year and the Book Evidence of not listen as not .
而谢质彬先生《"不听"作"不允许"解的始见年代及书证》关于"不听"作"不允许"解年代的判定标准、论证过程及相应结论都是有欠妥帖的。
6)  years [英][jɪə(r)]  [美][jɪr]
年代
1.
Studies on the phoosynthefic characteristics and the activity of the superoxide dismutase in flag leaf of wheat varities for different years;
不同年代小麦品种旗叶光合性能及SOD活性的比较研究
2.
This paper,as for the appraisable standard,demonstration and corresponding conclusion about the years of "Buting" meaning "not allow" maintained by Xie Zhi-bin,presents the point of view of Han Dynasty through the different words of "not allow" and "Buting",the joint use of "ting" and "allow",the explanation about "ting" by the ancient people and the analysis of two contradictory standards.
本文针对谢质彬先生认定的“不听”作“不允许”解年代的判定标准、论证过程、相应结论,通过“不许”同“不听”异文、“听”“许”连文、古人对“听”字的训释以及谢文所提两个标准的互相予盾等情况的辨析,论证了“不听”作“不允许”解不迟于汉初的观点。
补充资料:"五十年代作家行列"
      1950年 8月由19位马来亚青年作家在新加坡组成的文艺团体,亦称"五十年代派"。他们提出的理想是"社会正义、人民繁荣、生活安定",并认为这是作家的历史使命。他们致力于"发展和提高马来亚文化与文学","进行文学革新";主张"为社会而艺术",反对"为艺术而艺术";主张文学作品必须真实反映社会现实,起到针砭时弊、教育人民的作用,并认为文学创作是实行精神革命的手段。他们多数来自社会基层,经历过殖民主义的统治,他们的作品广泛地反映农村、渔乡的生活以及罢工风潮,具有强烈的现实感和浓郁的生活气息。多数为短篇小说和新诗,反映战后马来亚社会贫困化和劳动人民对苦难生活的悲愤,也表现革命者争取国家独立的决心,有"被压迫者文学"之称。他们的创作方向对独立后的马来文学产生了很大影响。
  

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