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1)  Cone [英][kəʊn]  [美][kon]
音盆
1.
Development of cloth side cone loudspeaker with low resonance frequency;
低谐振频率布边音盆扬声器的研制
2.
The project is based on knowledgebase system that can be extended,creative configuration method is exerted based on feature,three-dimensional modeling is fleetly constructed based on Pro/E,simulation analysis is applied based on FINECone,then final product is fleetly developed to meet customer s need.
针对扬声器音盆大批量定制生产模式提出一种快速响应客户需求的产品设计方案。
2)  Bayinggebi basin
巴音戈壁盆地
1.
Analysis of metallogenic condition and prospecting potential of sandstone type uranium deposit in Tamusu district of Bayinggebi basin;
巴音戈壁盆地塔木素地段砂岩型铀矿成矿条件及找矿前景分析
3)  bonsai pot
盆景盆
4)  basin [英]['beɪsn]  [美]['besṇ]
水盆;盆地
5)  pronunciation [英][prə,nʌnsi'eɪʃn]  [美][prə'nʌnsɪ'eʃən]
1.
This paper analyses the meaning of the pronunciation and the structure of "qi",inquiring into the relation between the "qi" and aesthetic psychology.
本文从对“奇”音所表之义和“奇”字结构所表之义的分析入手,探讨了“奇”字和人们的审美心理的内在联系,从文字学的角度揭示了“奇”字之所以用于人们的审美价值判断中的原因。
2.
By taking the formation, pronunciation and meaning of “mai” (賣) into consideration comprehensively, this article concludes that the intonation code of “du” (讀) which is signalled by “mai” (賣) has pronunciation and meaning derived from “yu”(■) .
综合“賣”的形、音、义三个方面来考虑,我们认为“讀”的声符“賣”的音义当来源于“■”,即有关“讀”、“賣”关系的第一种说法是正确的。
3.
Based on the former research, this article further analyzes on the font, pronunciation, meaning, as well as the capacity for word-building of the character "打".
本文在綜述前人研究成果的基礎上,對“打”字的字形、字音、字義、構詞能力作了進一步的探討,並通過對《紅樓夢》和《四世同堂》中“打”字的使用情況進行比較,分析了18世紀中期到20世紀中期動詞“打”的意義的演變情況。
6)  sound [英][saʊnd]  [美][saund]
1.
This article is especially devoted to such kind of “pop” as bears a relationship to “sound and image” from the angle of the thought of the sense of hearing, the thought of thinking in images and the thought of the visual se.
本文从听觉、形象、视觉思维的角度来谈与音、象有关的pop ;试从形、声、象、意兼备的且具有不凡构词能力的 pop中看思维在词汇形成的过程中所起的积极作
2.
As far as the ancients were concerned,acoustics is the natural attribute of sound,sound is the acoustics which organized orderly by people,and the music is the sound not only selected by people but also has its certain ideologies.
在古人的思想世界里,声是音响的自然属性,音是人为而有序组织起来的声,乐则是人为选择并包含特定思想涵义的声音,这才是真正意义的乐。
3.
There is a complicated relationship of form, sound and meaning between the three characters 让,攘,纟襄.
让与攘、纟襄三字间有复杂的形音义关系 ,本文详析其间脉络及关
补充资料:欢音 苦音
      中国西北及陕西省关中地区戏曲和民间音乐中普遍应用的音乐术语。由两种不同的音阶与调式所形成,作为表现感情气质变化的技法之一。在秦腔称为欢音、苦音,或花音、哭音,眉户称硬调、软调,碗碗腔称花音子、苦音子,四川弹戏称甜皮、苦皮,或甜品、苦品。
  
  欢音的曲调为徵调式,其旋律常用音为sol、la、do,re 、mi五音,一般用以表现愉快、明朗、活泼、矫健等情绪。苦音的情况较为复杂,虽仍以徵音为其曲调主音,但旋律常用音则为 sol、si、do、re、fa五音,因而色彩大异。对此,国内有两种不同观点,一种认为苦音仍属徵调式,因其si音在实际运用时,习惯上略低于本律,故属于一种特殊的音阶结构的徵调式。另一种观点则认为,从实际效果看,苦音又具有 sol商调式的因素。苦音在情感气质上,有伤感、晦暗、悲愁、哀怨等感觉。有时,因低于本律的si音在旋律中甚为活跃,实际已起着宫音作用,已暂时移宫到下方大二度的调上,而构成sol羽调式。这种移宫换调的方法,在古代称为"以闰为宫"(闰即降si音)。这种七声音阶的移宫法,古代又称为"改柱换调"(柱即今日琵琶的"相")。近代学者有人认为,它与隋唐时代从西域传来的"燕乐"有密切关系,虽与汉族音乐逐步融合,却仍保留了"燕乐"的某些因素。
  
  苦音与欢音均可独立运用,也可互相作大段转换,以适应不同感情的表现。这种技巧,在同州梆子、蒲州梆子、阿宫腔、弦板腔、线腔、老腔、陕北道情、青海平弦、青海花儿、甘肃河西曲子......均有所见,各剧种、曲种的音乐基本材料和音调虽不同,其技巧手法却相同。
  
  以陕西眉户的"月调"为例,可看出在音乐材料基本相同的情况下,欢音与苦音的变异。
  
  此外,粤剧的"乙反"及潮剧的"轻三六"、"重三六"、"活三五",与欢音、苦音的性质基本相同。
  

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