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1)  Donghe sandstone reservoir in HD-4oil field
哈得4东河砂岩油藏
2)  Fluvial sandstone reservoir
河流相砂岩油藏
3)  Donghe sandstone
东河砂岩
1.
Sequence boundary types and logging identification of Donghe sandstone in HD4 oilfield,Tarim Basin;
塔里木盆地哈得4油田东河砂岩层序地层界面类型及测井识别方法
2.
Using diagenetic facies to analyze heterogeneous reservoir of Donghe sandstone of east slope of Lunnan,Tarim Basin;
用成岩岩相分析法剖析轮南东斜坡东河砂岩非均质性储集层
3.
Characteristics of Carbonate Cement in Donghe Sandstone and Its Effect on Reservoir;
东河砂岩中碳酸盐胶结物特征及对储层的影响
4)  sandstone reservoir
砂岩油藏
1.
Experiment on stress sensitivity in low permeability sandstone reservoir;
低渗砂岩油藏压力敏感性实验
2.
Experiment:water flooding characteristics of low oil saturation sandstone reservoirs;
低含油饱和度砂岩油藏水驱特征实验
3.
Comprehensive evaluation of low permeability sandstone reservoir by geochemistry and well logging-taking Jishan sandstone reservoir of Shanghe Oilfield as an exampIe;
低渗透砂岩油藏地球化学—测井综合评价——以商河油田基山砂岩油藏为例
5)  sandstone reservoirs
砂岩油藏
1.
Two retarded acids,SDE-1 and SDE-2,for stimulating sandstone reservoirs are studied experimentally for their performance properties.
实验考察了砂岩油藏用混合缓速酸SDE-1(3%氢氟酸+8%膦酸)和SDE-2(3%氢氟酸+1%盐酸+8%膦酸)的性能,其中的氢氟酸由氢氟化铵提供。
6)  sand reservoir
砂岩油藏
1.
An expertise knowledge database is established on the basis of analyses on the static and dynamic geologic data and fracturing parameters obtained from more than 500 wells that have been fractured in sand reservoirs of Zhongyuan oilfield.
根据中原油田砂岩油藏 2 0 0多口压裂井及压裂层的静、动态地质资料和压裂施工参数 ,对影响压裂效果的单因素、多因素和主参数进行了分析。
2.
The sedimentary facies of Menggulin sand reservoir was analysed according to the datum of core description, electric property, dynamic logging, and production performance of the reservoir.
运用岩心观察描述、电性、生产测试及开发动态等动静态资料 ,综合分析了蒙古林砂岩油藏的沉积相 ,并在单井微相划分及各微相对应电性特征研究等的基础上 ,进行了油藏各沉积时间单元微相的划分 。
补充资料:哈得孙河画派
哈得孙河画派
Hadson River School
    以纽约为基地  ,活跃于1820~1880年间的美国风景画派。名称源于评论家T.W.惠特里奇的文章。先驱为J.特朗布尔等  ,T.道蒂  、A.费希尔  、T.科尔等为该画派第一代。1848年T.科尔去世后,40年代的第二代画家A.B.杜兰德、J.F.肯塞特和F.E.丘奇在50~60年代形成自己的风格  。规定该画派基本画题是哈得孙河全景、山景、湖景、森林内部景、简单的海岸景。该派另一领袖丘奇则认为肯塞特之画太朴素,而注重对光的描绘。第三代画家如G.英尼斯、A.H.怀安特等在70年代成熟。
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