1) discolour glaze
变色釉
1.
In this paper,according to the polytropic spectral characteristics and physicochemical characteristics of neodymium,the effect of neodymium on color generation of discolour glaze was systematically probed,the reason and mechanism of neodymium discolourment in glaze were elaborated,so as to be helpful to the development of discolour glaze and its theoretical research.
根据氧化钕独特多变的光谱特征及物理化学特征,探讨了钕对变色釉呈色的影响,阐述了其在釉中的变色原因及其机理,对变色釉的开发和理论研究有一定指导意义。
2.
In this paper,according to the polytropic s pectral characteristics andphysic ochemical characteristics of rare earth neodymium,the reason and mech anism ofneodymium discolourment in glaze were elaborated,so as to be helpful to the development ofdiscolour glaze and its theoretic al research.
本文根据稀土钕独特多变的光谱特征及物理化学特征,阐述了其在釉中的变色原因及机理,希望能对变色釉的开发和理论研究有所帮助。
2) photochromic crystalline glaze
变色结晶釉
1.
The photochromic crystalline glaze under 1340℃ had been developed by a certain production process.
通过采用一定的生产工艺,成功研制出烧成温度为1340℃的新型结晶釉——变色结晶釉,并探讨了各组成及工艺制度对结晶尺寸的影响,确定了最佳的工艺配方,分析了影响变色效果的各个因素。
3) photochromic glaze
光致变色釉
4) glaze
[英][ɡleɪz] [美][glez]
色釉
1.
Amply discussed the reasons of aberration in glaze in the fields of produce and use taches both of pigment and glaze, et al.
从色料、色釉的生产及使用多方位对色釉产品表面色差产生的原因进行详尽分析,并对色差的控制提出了指导性的建议。
5) color of glaze
釉色
1.
Ming dynasty s ceramic is very important in China history,This article tries to analyze their esthetics characteristic by the color of glaze,the shape of ceramic and the decoration of ceramic.
明代陶瓷在中国历史上尤为著名,本文通过对明代陶瓷的釉色、造型和装饰等方面的美学特征进行分析,阐述了明代陶瓷特有的艺术魅力及其重要的历史地位。
2.
This article tries to analyze their difference of art characteristic by the shape of ceramic、the color of glaze and the decoration of ceramic.
本文试从唐宋陶瓷造型、釉色和陶瓷装饰等方面浅析其艺术特点上的差异。
6) glaze
[英][ɡleɪz] [美][glez]
釉色
1.
This article,which come from the learned research between May and June in 2006,discusses the spiritual expression of ceramic glaze using in ceramic creation.
基于2006年5月至6月的浙江古窑学术考察之行,将大量珍贵资料整理分析,在釉色的精神表现与创作方式的关系问题上进行了深入的研究。
2.
And there were many different aesthetic characters in glaze, models and decorative patter ns during different periods of Ming Dynasty.
明代的青花瓷与以往的青花瓷相比,表现出自身独特的审美特征,而且在明代的不同时期,青花瓷在釉色、造型以及纹饰上又存在着诸多的审美差异,具体表现为明早期的浓艳凝重;明中期的清丽秀雅;明中后期的浓艳华贵;明末期的简朴清新。
3.
Then,how to bring glaze into full play in ceramic art? To answer this question,the paper introduced glaze properties,classification,applying techniques and firing methods.
作者的观点认为随着现代陶艺的发展,釉色在现代陶艺中有着决定成败的至关重要的作用。
补充资料：变色釉
分子式：
CAS号：
性质：又称异光变彩釉。瓷器表面色彩随光源不同而变化的釉。常以高级细瓷白釉作为基釉，采用金属氧化物、非金属氧化物以及钕、铈等混合稀土氧化物为着色元素，按一定配比精制成着色剂，然后掺入基釉中，制成釉浆，施于坯体表面，经适当温度烧成，生成一种新的固溶体。它在光照改变下发生颜色变化。如在太阳光下呈淡紫色，普通灯光下为玫瑰色，高压钠灯下呈橙红色，在钪钠灯下呈深蓝色。主要用于艺术瓷表面装饰。
CAS号：
性质：又称异光变彩釉。瓷器表面色彩随光源不同而变化的釉。常以高级细瓷白釉作为基釉，采用金属氧化物、非金属氧化物以及钕、铈等混合稀土氧化物为着色元素，按一定配比精制成着色剂，然后掺入基釉中，制成釉浆，施于坯体表面，经适当温度烧成，生成一种新的固溶体。它在光照改变下发生颜色变化。如在太阳光下呈淡紫色，普通灯光下为玫瑰色，高压钠灯下呈橙红色，在钪钠灯下呈深蓝色。主要用于艺术瓷表面装饰。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条