1) underglaze red
釉里红
1.
This paper aims at selecting the optimal formulas of good color generation for underglaze red,surface glaze and ground glaze by means of experiments.
通过实验优选出呈色良好的釉里红色料、面釉、里釉的配方。
2) underglaze blue
釉里青
3) Red glaze
大红釉
1.
The non-pollution red glaze of cadmiumselenium for stoneware has been successfully developed, which is constituted by ZrSiO_4Cd(S_xSe_(1-x)) red pigment as a colorant and feldsparlime glaze as base glaze, and fired in the oxidizing atmosphere.
成功地制备了一种适用炻质瓷装饰的大红釉。
2.
In this paper principles and main technological points of red glaze with cover layer were studied.
叙述了覆盖层大红釉的原理及工艺要点，给出了覆盖层组成配方和主釉层釉式。
3.
Art porcelains of red glaze were sintered by industrial microwave furnace.
应用微波加热技术烧成高温大红釉,结果表明,微波可有效烧成大红釉,还体现出釉质量提高、烧成温度降低、周期缩短等优点。
4) Rose glaze
玫红釉
5) Jun red glaze
钧红釉料
6) copper red glaze
铜红釉
1.
This paper analyses the elementalcomposition of copper red glaze and th e r elations of the compositionand the color generation of glaze,discusses why coppe r red glaze is difficult to fire,analyses the effect of process technology on t he color generation of glaze,and introduces sometypical formulate and the core p rocess technology.
本文分析了铜红釉的化学组成,组成与釉呈色的关系;讨论了铜红釉难以烧成的根本原因,分析了生产工艺对铜红釉呈色的影响;介绍了几种现代铜红釉的典型配方及生产工艺要点;对铜红釉的呈色机理作了初步探讨。
2.
The theory of incomplete combustion is applied in the study of the firing atmosphere for the production of copper red glaze,which calculation steps are derived in every detail and particular.
在铜红釉烧成气氛的研究中 ,应用了不完全燃烧理论 ,详细推导了其计算过程。
补充资料：釉里红
中国景德镇窑彩瓷。彩瓷分为釉上彩和釉下彩两种。釉里红属釉下彩，它以氧化铜为呈色剂，在坯上绘以纹饰，再罩以透明釉，在高温窑炉中烧后，呈现白地红花。釉里红始于元代，为景德镇窑工匠所创，明清两代仍沿袭烧制。景德镇窑使用氧化铜烧制瓷器的时间较早，至迟在北宋后期已经使用氧化铜烧窑变红色。在色质如玉的青白瓷上，饰以色如朱砂的窑变红斑，效果极佳。此种瓷器现虽未见到，然可以肯定它对釉里红装饰品种的出现，有很大影响。江西省景德镇市出土的一件有至元四年(1338)铭文的谷仓，其铭文即是用釉里红方法书写烧制的。元末明初,釉里红瓷器传世较多,其器形、纹饰与青花大体相同，如缠枝花纹碗、杯托、玉壶春瓶、执壶、军持、莲瓣式折沿大盘及带盖大罐等。明洪武以后，釉里红瓷器很少烧制，这似与不能很好地掌握烧制技术有关。清康熙年间又恢复了已停烧多年的釉里红装饰品种,并能在一件器物上同时用氧化钴和氧化铜绘纹饰,烧出了青花釉里红。至雍正年间这一品种呈色纯正而鲜艳，达到了很高的水平。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条