1) clay
[英][kleɪ] [美][kle]
泥
1.
This paper analyses the effect of sticky clay cast into the water on algae elimination from three aspects and concludes that the method of casting clay is easy and effective.
分别从实验、生产试验及生产实践方面研究了投泥工艺的除藻应用,指出投泥是适用于低浊度水库水除藻的工艺,简单易行,效果良好。
2.
As an art of clay and fire,pottery not only gives an entirely new shape but also an aesthetical thinking on its renewal and value.
在泥、火、釉神奇的创造下,发现自己不同于其它艺术的独特魅力。
3.
The flourishing history of chinses pottery is exactly the process of scientific research in clay,glaze and pigment of pottery .
蓬勃发展的中国陶艺,是人们在泥、釉及陶瓷颜料上孜孜不倦的研究和创新的成果,以及造型特征上的大胆突破的一个过程。
2) mud
[英][mʌd] [美][mʌd]
泥
1.
Determination of Mercury in River Mud by Flow Injection-Hydride Atomic Absorption Spectrometry;
底泥中汞的流动注射-氢化物原子吸收光谱法检测
3) mudstone argillization
泥岩泥化
4) mud and sludge
污泥淤泥
1.
From many projects,it is shown that Permazyme-11x can be widely used in the waste disposal and the resource utilization of mud and sludge.
"派酶"是一种新型的工程土质改良材料,许多事例表明,它在垃圾处理和污泥淤泥资源化方面大有作为。
5) cement made from red mud
赤泥水泥
1.
The levels of radioactivity in the red mud, the wastes of aluminium related industry, and in the cement made from red mud were measured and reported in this paper.
本文报道了铝企业中的工业废渣——赤泥及赤泥水泥的天然放射性水平。
6) NiNiGou
泥泥狗
1.
The Research about Investigation and Protection, Which of "NiNiGou" and Temple Fair for Human s Father in HuaiYang of Henan Provice;
淮阳人祖庙会与泥泥狗的现状调查及其保护性研究
2.
Aesthetic Analysis of Huaiyang Ninigou Clay Sculpture
民间艺术史上的淮阳泥泥狗探析
3.
This article takes the folk art modeling“Ninigou”of Huaiyang, Henan as the research object and researches on its existing space, belief content, belief concept, the relationships of belief and modeling and the development of“Ninigou”modeling at present time when activi.
本文以河南淮阳地区的“泥泥狗”造型这一民间美术作品为研究对象,对其存在空间、信仰内容、信仰思维、信仰与造型的相互关系以及泥泥狗造型在民间信仰活动日趋世俗化的今天之发展进行了探讨,试图从信仰角度对泥泥狗这一民间美术的典型作品进行深入研究,并力图从中窥见民间信仰与民间美术造型的相互关系。
补充资料：《泥版试印初编》
中国清代翟金生以毕昇方法印成自著诗文集的泥活字印本。翟字西园，生卒年不详，安徽泾县人，能诗善画，以教书为生。据该书包世臣(字慎伯)序：翟金生"读沈氏笔谈(沈括《梦溪笔谈》)见泥印活版之法而好之,因搏土造锻。"以30年心力,同他的儿子、内侄、孙子等多人,自造泥活字10万个,字皆宋体,笔画精匀。于道光二十四年(1844)排印成《泥版试印初编》。翟自称这种泥活字版为"泥鬥板""澄泥板""泥聚珍板"。包氏序又说："木字印二百部，字画就胀大模糊，终不若泥板之千万印而不失真也。"翟氏泥活字还印了《仙屏书屋初集》、《水东翟氏宗谱》等书。他的实践，证实了毕昇发明的泥活字印刷术，也驳斥了认为泥字一触即碎、不能印刷的怀疑论。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条