1) famille rose
粉彩
1.
The history of famille rose porcelain in Jingdezhen as well as the classification, material composition, preparation methods and production technology of traditional famille rose pigments is introduced in this article.
简要总结了景德镇传统名瓷-粉彩瓷的发展历史,叙述了传统粉彩颜料的种类、使用原料、制备方法、生产工艺。
2.
The study on famille rose porcelain of the Qing Dynasty is always a live topic in the ceramic theory.
对清代粉彩的研究一直是陶瓷学界的热门，但作为代表清代粉彩最高艺术成就的雍正粉彩花蝶纹装饰却经常是被一笔带过。
3.
The famille rose of the Qing Dynasty is a hot topic for the ceramic academic research, Elegant works of art has been praised by people,the Yongzheng-Period famille rose in the Qing Dynasty Ceramic Art is a major bright spot, It also won the artistic achievements of the public joy, However, the art characteristics of Yongzheng-Period famille rose has been an often over.
清代粉彩是陶瓷学界研究的热门话题,高雅的艺术作品一直被人们所赞叹,而雍正粉彩则是清代陶瓷艺术上的一大亮点,它的艺术成就也赢得了大众的欢喜,但雍正粉彩的艺术特征却经常是被人们所忽视。
2) soft color
粉彩
1.
This article has introduced the characteristics of the soft color decoration art in Qianlong’s period and has analyzed the western Rococo style, the large demand from the Court and Qianlong’s influence on the soft color’s decoration art from the western and eastern dual clues.
深入了解乾隆盛世下粉彩瓷的装饰特征,并从西方到东方两条主线索进行探究—西方洛可可的风格、宫廷对陶瓷的大量需求及乾隆皇帝对陶瓷的影响。
2.
"Eight friends of ZhuShan" live in the end of the Qing Dynasty and Republic initial stage, such as Cheng Yi Ting, Xu Zhong Nan , Tian He Xian , Liu Yu Cen, Wang Qi, Wang Da Fan , Wang Ye Ting , Deng Bi Shan and so on, is a original ceramics of soft color painter group .
“珠山八友”是清末民初的一个粉彩画家群体，主要指王琦、王大凡、汪野亭、邓碧珊、程意亭、徐仲南、田鹤仙、刘雨岑、何许人等人。
3) famille rose pigment
粉彩颜料
1.
A new type of leadless and non-arsenic famille rose pigment in opaque glass is developed in this paper using compound of alkali-boron substituting lead and zrsio4 and sno2 as composite opaque agents.
利用复合碱—硼取代铅,引入ZrSiO4、SnO2为复合乳浊剂,研制了新型无铅、无砷粉彩颜料玻璃白。
4) colored toner
彩色墨粉
1.
Analysis of the effecting factors of polymerization process of colored toner prepared by the suspension polymerization method;
悬浮聚合法制备彩色墨粉影响因素的分析
2.
Progress in polymerization technics for colored toner;
彩色墨粉聚合生产工艺研究进展
5) Peroxide bleacher
彩漂粉
6) Coloured pottrery figurine
粉彩陶俑
补充资料：粉彩
中国清代彩瓷。始创于康熙晚期，为景德镇窑所烧制,是在五彩、珐琅彩的影响下产生的。属于釉上彩,即在已烧好的白釉瓷器上画纹饰，后在烘炉中烘彩，因彩料与工艺方法的不同，其效果也不相同。康熙晚期的粉彩瓷器遗存的不多，带有康熙年款的则更为少见，传世品有折枝花卉盘，用彩较厚，花纹凸起。雍正年间，粉彩品种已有很大发展，官窑和民窑都大量烧造，其中瓶、罐、盘、碗等生活日用器皿多饰以粉彩花卉、翎毛、人物和草虫等纹样。粉彩一般在器物的突出部位勾画纹饰轮廓线，后在线内填以玻璃白，再于玻璃白上施彩，用笔蘸水渲染，烘烧后色彩淡雅，并具有深浅变化及层次感。官窑烧制的粉彩瓷器，纹饰极其工整，画稿有的出自如意馆画师之手，瓷器画面具有绢纸绘画的效果。雍正年间官窑和民窑烧制的粉彩瓷器，底部绝大多数均有青花"大清雍正年制" 6字款。乾隆年间仍继续烧制粉彩瓷器，除白地粉彩外，又出现了在黄、绿、粉、紫等色的地子上绘以粉彩纹饰，色地上并印有细细的卷枝纹。在色地上进行装饰，可能是借鉴于画珐琅和景泰蓝工艺。这种色地粉彩以各式尊、瓶等器皿为多，是清宫的陈列用品，纹饰多有吉祥含意,如画面有戟、磬和鱼纹的,其谐音为"吉庆有余";有绶带葫芦和卐字的,谐音为"福禄万代"。色地粉彩器物的底部多为绿地红彩书"大清乾隆年制"6字篆款。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条