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1)  timbre [英]['tæmbə(r)]  [美]['tæmbɚ]
音色
1.
On the Relations Between Timbre Quality and Artistic Expression of Accordion;
试论手风琴音色美与艺术表现的关系
2.
Using fourier series to analyze the factor which decide timbre;
利用傅里叶级数分析决定乐音音色的因素
3.
Several Physical Phenomena and Methods of Changing the Timbre of Violin;
小提琴音色改变的几种物理现象及方法
2)  tone color
音色
1.
Based on the in-depth analysis of how to handle,control and integrate,the author makes overall classification and analysis on the tone color of Pipa.
音色是音乐诸多要素中重要的要素之一。
2.
Furthermore,by using tone color,key-touching,harmonic as well as pedal,the author tries to represent rich variations of this music.
作品通过音色、触键、和声、踏板的变化来表现出更加丰富的层次与音色的变化和对比。
3.
Tone color,is one of the most important factors to demonstrate the singing standard,so learning proper skill of sound-pronunciation is the crux of acquiring pure and beautiful tone color.
音色是彰显演唱者水平高低的最主要因素,学习正确的发声技巧是获取纯美音色的关键。
3)  tone [英][təʊn]  [美][ton]
音色
1.
The beautiful tone refers to the one that can correctly express the musi- cal content and feelings and embodies the musical style.
美的音色是指能正确表达音乐内容和情感、体现音乐风格的音色
2.
The changes of tone in the emotion of singing are significant to represent the composer s intention.
音色的变化在歌唱情感中,对再现作曲家的创作意图是极其重要的,善于运用歌唱的音色变化来表达歌曲内容也就显得非常重要。
3.
Using bow is the carrier of tone.
持弓是演奏基础,弓法是表现形式,运弓是承载音色正确的右手运弓及各种技巧的掌握能使演奏者把小提琴这项乐器技术驾驭的更加完美。
4)  Timber [英]['tɪmbə(r)]  [美]['tɪmbɚ]
音色
1.
The Special Trait of Timber Elements in Musical Tasting Experience;
试论音乐审美体验中音色要素的特殊品质
2.
This article elaborated the technique used to compose music for electone performance,including the scientific steps of arrangement,the technique of selecting timber,the different application of different functions.
通过讲解双排键编曲的技巧,论述了编曲的步骤安排,音色的搭配技巧,各种功能的配合运用,对编曲的强大功能进行了深入挖掘。
3.
From the viewpoint of analyzing individual technique and mutative timbers, the article expatiated some rules and features of Yangqin in the progress of Chinoiserie, and the writer pointed out that in the improving process, the Yangqin developing was following the trace from similar in shape to alike in spirit.
文章从分析扬琴特色技法、音色变化的角度出发,阐述扬琴中国化过程中的某些规律和特点,论述扬琴在演变过程中,遵循着由“形似”到“神象”的发展轨迹。
5)  sound [英][saʊnd]  [美][saund]
音色
1.
Piano players can gain quality sense through their concentration on the sound and quality, flowing sense through its melody and feelings through expressiveness and noble taste through styles.
音乐是时间的艺术,也是听觉艺术,习琴者在练琴时,必须协调身心,开动脑筋,专心致志,通过听"音质""音色",培养音乐的质感;听"歌唱性",培养音乐的流动感;听"表现力"培养音乐的情韵感;听"风格特色",培养音乐的高品味。
2.
The performer not only has abundant knowledge and superb skills but also carry on to the player s abundant understanding and creativity to the melody,hold the treatment of the sound in playing the Erhu and the performance stage image,make the music esthetic process more thorough and appropriate.
二胡演奏是一项具体生动的音乐审美活动,二胡演奏者除博学识广,技艺超群外,还要对乐曲进行充分理解并加以创造,把握二胡演奏中的音色处理及演奏时的舞台形象、气质与台风,使音乐审美过程更加深入、贴切。
3.
The sound of Chinese plucked string instrument with its special features has been recorded in the sound of electronic music sound library,however,as a strong color of Chinese nation,the personalized sound expression can not integrate its sound of national plucked string instrument with other sounds in the electronic music.
中国民族弹拨乐器音色作为有着特殊个性的音色被载入电子音乐音色库中,然而,有着浓烈的中国色彩,个性十足的声音表现力使民族弹拨乐器音色很难与电子音乐中其它音色相融合。
6)  tone colour
音色
1.
Firstly and coordinate the perfect transition of the resonant tone colour of the three vocal parts;Secondly so as to get the stereoscopic,blend and resonan.
运用共鸣时,一是要发挥好各个声区组合共鸣的应用特点;二是要协调好3个声区共鸣音色的完美过渡,以便获得具有立体的、混合的歌唱共鸣效果。
2.
From melody dissolved in the general thought of music to rhythm temperament pursuing individual words,it has gradually been formed a new words system of its own——tone colour,which consists of bright and coloufful tones.
它由融合于音乐共性思维——旋律,到追求个性语言——节律,并逐步形成了自己新的话语体系——音色(一种以绚丽多姿的音色为主体的音乐机制)。
补充资料:音色
1.声音的属性之一,主要由其谐音的多寡及各谐音的相对强度所决定。也称音品﹑音质。每个人的声音以及各种乐器所发出的声音的区别,就是由音色不同造成的。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条